Pantone's Color of the Year an Endless Neutral Loop
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After standing for 20 years at the forefront of the Uffizi Gallery in Florence, a towering crane is set to be removed next week, marking the end of an era for both the iconic landmark and the city's skyline. Florence's Uffizi Gallery director, Simone Verde, has confirmed the dismantling schedule, following persistent complaints from citizens regarding the crane obstructing views of one of the city's most picturesque areas.
The crane, which has become almost synonymous with the Uffizi's exterior, stands at an impressive height of 60 meters, making it visible from several kilometers away. It was originally erected in 2006 to facilitate modernization and expansion efforts at the gallery, part of a project that actually commenced back in 1995. However, due to various bureaucratic delays and complications, these renovations have yet to reach completion.
In light of the crane's removal, the local government has announced that the crane will be replaced by a less obtrusive construction lift. This transition aims to allow for the continuation of the necessary renovation work without further impacting the aesthetic appeal of the area. The city administration has stated that the new construction site will be significantly slimmer, ensuring a more unobstructed view of the Uffizi Gallery and its surroundings.
Florence's mayor, Sara Funaro, has described the upcoming removal of the crane as a "historic event" for the city. To commemorate this occasion, a celebration is planned on the museum's terrace, where cultural affairs will be highlighted in the presence of Italy's Minister of Culture, Alessandro Giuli.
The financial backing for the new construction lift, amounting to EUR180,000, has been sourced from a coalition of local entrepreneurs, associations, and foundations, illustrating a community effort to enhance the city's cultural heritage.
Throughout its time in Florence, the crane has been a source of contention between various city officials, including former mayor Dario Nardella and former Uffizi director Eike Schmidt, who had previously campaigned for the mayoralty. Schmidt, who is now the director of the Capodimonte Museum in Naples, has expressed the challenges faced during the protracted renovation process.
As the crane's removal approaches, residents and visitors alike look forward to a more visually appealing view of the Uffizi Gallery, one of the most celebrated art museums in the world.
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